Showing posts with label planning. Show all posts
Showing posts with label planning. Show all posts

20 December 2010

RUN Film Trailer: RISK ASSESSMENT

Below is the risk assessment form completed before we went out to film our trailer production. As you can see, we took into careful consideration any possibility of trouble; either physically or related to the law.

Click the below image to view its original size.

16 December 2010

RUN Film Trailer: PRODUCTION SCHEDULE

Below is the Excel spreadsheet created to schedule the filming of our film trailer during one calender week. Each colour represents a space in time (shown along the y axis) during each day, and the adjoined key explains what exactly each section of production consisted of.

Click the below image to see it in its original size.

11 December 2010

RUN Film Trailer: ACTORS AND COSTUMES

Main actors:
Phillip Lanyon

Carl Backland
Carl is the protagonist of our film, and so we took careful consideration into what he should wear for filming. Below is a montage of individual photos of clothing that Carl replicated during the process of creating the trailer. Luckily he already owned the clothing and so it wasn't a trouble to get into the character we envisioned.

Andrew Evans (myself)

Sub-actors:
Simon Fillingham
Ben Bowker
Adam Kennedy
Alex Harvey

6 December 2010

RUN Film Trailer: PROP LIST

In order to ensure our media trailer was up to the standards and visual expectations of our target audience and related film productions, several props had to be brought into play and below are the descriptions and reasons as to why we used each item:


Cigarette:
One of the most prominent characters featured in the trailer is introduced whilst utilising a real cigarette. We were lucky to have an actor who already smoked who had the time to be filmed for our film trailer, and it was a key factor during the planning process of who we wanted to cast i the trailer. The cigarette symbolises the very basic drug and 'street' undertones that we feel is necessary in order to give our production a realistic and credible feel.


Handgun (plastic):
During the most memorable scene in the trailer a plastic handgun is used. The actual object is a simple toy gun that was originally designed for use with Sony's Playstation 2. Given the lighting and camera angle the prop looked realistic enough to ellude the casual on-looker whilst keeping us out of any trouble with the law. We also made sure not to mindlessly wave it about in public (part of risk assessment) to avoid any unwanted attention.


Deodorant Spray Can/ Actual Paint Can:
In order to create the illusion of genuine graffiti activity and vandalisation we needed to plan our camera angles and prop positioning carefully. A total of two cans were used: a genuine paint spray can and a regular deodorant spray. Any scenes which depict the protagonist literally spraying a wall - the deodorant can was used. Under dim light all that can be seen is the residue coming from the tip, which gives the illusion of the pay spraying on to the wall but no visual mark made whatsoever. In the remaining scenes where the spay cans are not being directly utilised, an actual spray can would be visible to make it seem realistic and enforce the illusion of the previous graffiti scenes.


Camera:
During the drive-by scene we utilised a camera for it's flash function. Properly timed the flash will be made to synchronize with the sound of a gunshot, as well as the physical movement of the toy gun to replicate the actual behaviour of a firearm. The camera would be flashed from within the car with the operator totally invisible to the camera.


Car:
As the trailer keeps the secret of who killed the character, the use of a motor vehicle was clearly necessary to not only enforce even more realism but to make it more mysterious. We were able to utilise car, the driver of whom has a full licence and did so with permission of the Maghull Council to use the car park providing we were not loud and/ or disruptive. We instructed the driver to pull away quickly, and the subsequent wheel spin gives the effect of urgency.


Flour:
One particular drug scene demanded we make some kind of realistic representation of a drug - we chose cocaine and the method was to simply fill a small bag with flour and tie it with sellotape. Although probably not visible in the production, we felt it necessary to be as realistic as possible.

1 December 2010

30 November 2010

Questionnaire: New Film Conception Results

The below image displays the results of my target audience questionnaire. It was designed to accumulate an efficiently small amount of data for my group to analyse and base our decisions on in regards to what genre of film we were doing and the features to include in our magazine and posters.

Click the image below to view its original size.

15 November 2010

Questionnaire: New Film Conception Research

Starting the research process of gathering relevant information in order to comprehensively manufacture a piece of media that adheres to my particular target audience, I have created a questionnaire for anyone and everyone to contribute to:

To view and complete my questionnaire, please Click here.

19 October 2010

Music for our Film Trailer: RUN

For the backing track to our trailer we are going to use Survival of The Fittest (instrumental) by Mobb Deep (shown below). The reason behind using this is because it fits nicely with the the dark grimy feel of the film, it also matches with the element of Hip Hop in our film trailer. Another key reason behind the choice of this song is because it is relatively quiet, this allows voice overs to be used without there being an annoying interference between the voice over and backing track and will hopefully end with a final product with a professional feel to it.

18 October 2010

Synopsis of our Film Trailer: RUN

RUN: There Is Never Enough Time


Genre: Action, Drama

Vincent 'vinnie' Fitzpatrick aka Taze is a graffiti artist in Liverpool, he is a part of a gang of fellow graffiti artists called 'N3T', they become dominant (graffiti kings) in the underground graffiti world within Liverpool. When the intentions of the gang turn away from the art and towards money, drugs and violent crime, Vincent decides that he doesn't want to be part of the gang any more (the determining factor for him wanting to run away is during an incident with a rival gang which leaves him seriously injured and his brother dead), however his fellow gang members aren't as enthusiastic for the idea and go after him to show him leaving the gang isn't as easy as simply running away. He remains in the graffiti culture alone and forever running.



We believe that this is a perfect synopsis for an Action Drama film. It has a consistency of Action: the graffiti, the crime etc. and Drama: The death of Vincents brother and the fall of relationships between the gang/ crew.